All Posts for October, 2011

VSN integrates with Avid at Colombia’s RCN TV

Sunday, October 30th, 2011

VSN integrates with Avid at Colombia’s RCN TV
VSN’s technology was easily integrated with the channel’s current news and content production systems

Auralex debuts ProMAX Panels at AES
The flexible sound absorption panels are simple to set up and transport and easily assembled and disassembled for storage.

Recording Summit in Nashville, November 11-13

Sunday, October 30th, 2011

Recording Summit in Nashville, November 11-13
An all-analog recording studio in Nashville named Welcome to 1979 is hosting its third annual Recording Summit from Friday, November 11 through Sunday, November 13. It will cover topics ranging from the technical side of recording to the creative aspects of engineering and producing, as well as how to determine a rate for your services.

SPARS Bestows Legacy Award on Joe Tarsia
On October 21, 2011, Philadelphia native and recording studio impresario Joe Tarsia received the SPARS Legacy Award before a packed house of industry peers at Mix@AES, which was held in New York City event space The Four-o-Four. Tarsia is best known as the “father of the Philadelphia sound,” with more than 180 Gold and Platinum Records to his credit.

Problems with QT H.264 Material

Sunday, October 30th, 2011

Problems with QT H.264 Material

hi there,

I want quickly to edit a project wiht original QT H264 Files.

That for I importd them with AMA.

But there are problems with the playbck and performance.

It stutters or stops the playback.

So I wanted to try to bring them to an mxf file with transode.

But at this part my AVID brakes down and I get an error 000.

On the other hand my clip is 52 Seconds long, but I only want to transcode

4 seconds from it. So I should do it with consolidate.

But it wont do this as well, becuase I am told to transcode first.

So why should I use the AMA function ? I cant playback normal.

And is there no quick way to transode AND consolidate at the same time ? 

AND: I want to do it in two ways:

Consolidate + transcode from bin, so I could perhaps a least set in + out for clips and choose a bit.

Consolidate + transcode from the edited sequence, so that my already edited parts are just switched

to a new clip which should "run" better. Any ideas ?

Normal import takes hours to created thes mxf files. It is sooo long, that it seems to be no good idea.

Cant I just get in my material, regardless of which source and start editing ?

Is there always this complicated, time-and spacetaking way???

Many greetings, Andrea

 

 

 

Sound Card & CPU compatibility

Hello all,

I'm about to build a Windows 7 PC machine for the primary purpose of editing on MC 5.5.

I'm trying to stay as close to Avid's system requirements as possible.  However, I see that recommended sound cards are no longer listed.  In fact, I can't find anything related to sound.  Can anyone point me toward sound cards that are considered tried and true for MC 5.5?  Should I go with a Creative card?  Or is the onboard sound of most modern mobos enough and/or stable on MC?  I'm currently looking at the Asus P8Z68-V Pro motherboard.  It lists an audio chipset of Realtek ALC892.

That brings me to my other question.  I had initially planned on pairing that mobo with the Sandy Bridge i7 2600k CPU, as the lead Avid tech at my university reported screaming performance from it recently, and it seems to be a good value.  However, I've read of warnings against Sandy Bridge here, particularly as it relates to I/O hardware. I will probably be strictly working with tapeless material, and I don't plan on buying any I/O hardware, with the possible exception of the Matrox Mini box in the future.  I see that the Videoguys now list a Sandy Bridge configuration.  Has anyone run Sandy Bridge with MC 5.5 with stability?  Are errors strictly related to I/O hardware?

Any advice would be incredibly useful and appreciated.  Thanks so much in advance everyone.

Bret

Broadpeak Expands into Latin America

Saturday, October 29th, 2011

Broadpeak Expands into Latin America
As part of its expansion plans, the vendor announces four new local…

ATTO Technology Announces Ground Breaking Benchmarks with NetApp Media Content Management Solution

Saturday, October 29th, 2011

ATTO Technology Announces Ground Breaking Benchmarks with NetApp Media Content Management Solution
New solution delivers 22 Uncompressed HD streams from a single 4RU disk array (Hollywood, California–October 27, 2011) ATTO Technology, Inc. and NetApp (NASDAQ: NTAP) today announced their latest collaboration. This new solution provides extreme media file ingest and playback performance. It combines the new NetApp Media Content Management solution and ATTO Celerity Fibre Channel Host Bus Adapters(HBAs) with Multipath Director™ technology and is available for Mac OS® X, Windows® and Linux operating systems.

FCC to start over for station online disclosures

Saturday, October 29th, 2011

FCC to start over for station online disclosures
The commission will discard a 2007 Enhanced Disclosure decision that requires broadcasters to file more detailed programming reports online.

Kentucky’s WDRB migrates to HD with Utah Scientific core
The UTAH-400 router is specifically designed to address the growing requirement for large switching systems

Sennheiser Announces Key Executive Appointments in U.S., Latin America

Saturday, October 29th, 2011

Sennheiser Announces Key Executive Appointments in U.S., Latin America
Audio specialist Sennheiser announces two key executive appointments within its U.S. and Latin American regions, completing the company’s leadership team in the Americas. Effective January 1, 2012, Sennheiser veterans Greg Beebe and Markus Warlitz will be appointed to the positions of president, Sennheiser Electronic Corporation, and general manager of Sennheiser Latin America, respectively.