RE:Flex for AE – Morphing to Replace Missing Frames
In this RE:Vision FX video tutorial, Lori Freitag explains how to use morph to create a seamless transition and replace missing frames when using RE:Flex Morph in Adobe After Effects.
All Posts for December, 2010
RE:Flex for AE – Morphing to Replace Missing Frames
Thursday, December 30th, 2010Bluetooth audio testing gets faster, easier through Prism
Thursday, December 30th, 2010Bluetooth audio testing gets faster, easier through Prism
Prism Sound is set to launch a new, complete Bluetooth audio test system at CES.
Symetrix Promotes Paul Roberts, Brooke Macomber
Thursday, December 30th, 2010Symetrix Promotes Paul Roberts, Brooke Macomber
Symetrix in Seattle announces the promotions of Paul Roberts to vice president of sales and marketing, and Brooke Macomber to director of business development. Roberts has been with the company for 10 years and was previously the director of sales and marketing, while Macomber, who has been with Symetrix for five years, was previously the Inside Sales and Marketing Manager.
Importing DV Pal in MXF 411 instead of 420
Thursday, December 30th, 2010Importing DV Pal in MXF 411 instead of 420
I finished editing my first video in MC. This is a project DV PAL 50i.
I accidentally imported the clips, I had acquired with Premiere, MXF at 411 instead of 420 which is recommended for the PAL format. then exported the video in Quicktime reference format and run the authoring with Adobe Encore DVD. The end result is not good. In moving parts you notice an effect that looks like a strobe effect or fliker. I tried to do the transcoding in MPEG 2 with Soreson Squeeze, and then perform a mixdown in MXF 420 in the timeline, exporting again, but the result does not change.
Maybe my client is not aware of the problem, because it is not very obvious, but I must deliver a good product. Is there a solution?
Maybe it depends on the fact that I imported in 411 instead of 420, I do not know.
Perhaps the problem is that I have acquired the clips with Premiere?
Thanks again for your suggestions.
Level 3 Expands Uncompressed HD Services
Wednesday, December 29th, 2010Level 3 Expands Uncompressed HD Services
Now able to transport uncompressed HD video between NYC, L.A. and Washington…
Fixing Assets in FCP using XML
In this FCP tutorial Matt Lyon will provide a step by step guide for fixing a major issue with the way Final Cut Pro imports audio and still image files using a FCP XML file and TextEdit. Incorrectly imported assets can lead to serious problems down the road, especially with Media Manager. Matt als
Project Panel: Importing Footage
Wednesday, December 29th, 2010Project Panel: Importing Footage
Adobe has expended a lot of effort to ensure that we can find, view, preview, edit in and out points and import footage straight into our project panel bins with minimum effort and maximum efficiency. In this Premiere Pro video tutorial Andrew Devis outlines the various options for importing assets,
Cisco Touts ‘Zero-Loss’ Video Transport
IP NGN Video Optimized Transport features work with ASR 9000, 7600…
Boris FX adds 3D titling to Sony Vegas Pro 10
Wednesday, December 29th, 2010Boris FX adds 3D titling to Sony Vegas Pro 10
The new plug-in features filters that provide 3D extrusion capabilities directly from the Vegas Pro timeline.
