All Posts for September, 2010

how can I to buy DaxSubtitle of AMC?

Tuesday, September 28th, 2010

how can I to buy DaxSubtitle of AMC?

I need to create Chinese subtitle in AMC,it is said that DaxSubtitle is a AVX plugin for that,

and how can I get it? 

Avid DV codec won’t reproduce image faithfully once imported into authoring software

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Hi, and thank you in advance for your assistance with my dilemma.

 

I am exporting a Quicktime Ref of a DV sequence, and am exporting same as source using the Avid DV codec in an RGB space. The resulting quicktime file is faithful to the image as it's viewed in my Avid timeline, and also viewed using my external reference monitor. When I export as a self contained QT file I get the same nice result. And again when I feed out to tape via digital cut, the media played back on the tape is correct. So far so good.

 

Problem occurs when I import the file (or even capture from tape) to a dvd authoring program. I have used Sonic, as well as Nero. When I preview the image in these programs it plays greener and darker. The DVDs also author with the same  dark and greenish picture. The difference is especially noticable when played on an external or reference monitor or TV.

 

Since I'm new to the avid online community I'm not sure how to enter my system specs as a signature, so I'm manually adding it here. I'm using Mediacomposer 2.5.3 on Win XP Pro with service pack 2. I'm running Windows on a Mac 2x 2.2.6Ghz Quad-core Intel Xeon

Thanks very much, and I look forward to your replies.

Fehraz

FCP: Tapeless Offline / Online Workflow

Tuesday, September 28th, 2010

FCP: Tapeless Offline / Online Workflow
In this video tutorial, Creative COW leader Shane Ross details how to manage offline and online workflow with tapeless format.

Winners of the Creative COW Magazine Blue Ribbon

Tuesday, September 21st, 2010

Winners of the Creative COW Magazine Blue Ribbon

Mobile DTV Rollout Continues

Tuesday, September 21st, 2010

Mobile DTV Rollout Continues
Vendors see pick up in orders for new equipment as stations begin launching mobile…

Maya 2011: Assigning Invisible Faces
Michael Hurwicz demonstrates the new "Assign Invisible Faces" feature in Maya 2011, making one face of a cube invisible but still very much "there" when it comes to a smoothing operation performed on the cube.

Barco presents solution for subframe latency processing of single-tile JPEG 2000 images

Tuesday, September 21st, 2010

Barco presents solution for subframe latency processing of single-tile JPEG 2000 images
Barco new JPEG 2000 IP core performs at subframe latency while it preserves the high quality of single-tile images.

Gennum unveils feature-rich video crosspoint switch portfolio
The company’s crosspoint portfolio was developed from the ground up for HD, 3-D and Ultra HD and delivers new performance capabilities for broadcast studio equipment.

QSC, M&W Pro Audio to Create Digital Mixing Consoles

Tuesday, September 21st, 2010

QSC, M&W Pro Audio to Create Digital Mixing Consoles
QSC Audio Products announces a co-development partnership with M&W Pro Audio (Greg Mackie and Peter Watts) to create a series of digital audio mixing consoles. Greg Mackie retired from Mackie Designs (now Loud Technologies) in 2003, while Peter Watts is also an experienced pro-audio veteran who has spent 35 years designing analog and digital recording consoles, including the Trident DiAn digitally controlled console.

Media Composer v5 , upgrade-proof ?

Tuesday, September 21st, 2010

Media Composer v5 , upgrade-proof ?

Hi All,

I have a quick question for you .

I just finished a feature and I am about to start another one.

Is upgrading from 4.05 to v5 all good (bugsfree) ?

I'm thinking of a possible troublesome delivery to lab and sound dept. (.edl's and .aaf's ).

Next project will be another RED 24p project with footage being transcoded at the labs to DnxHD36.

Working on adrenaline HD's and a Unity.

Thanks for all your input,

Yves

Encrypted dailies

Does anyone have a suggestion for some software that can make encrypted dailes? Such that, only a person who has a password or license file can view them. It has to be more than just DRM or a password protected archive.